Attorney, Beverly Hills, CA 90210, Los Angeles, CA, Neville L. Johnson, Douglas L. Johnson, Nicholas A. Kurtz, Mathias D. Maciejewski, business law, business litigation, contingency litigation, consumer class action, tortious disputes, contractual disputes, llegal news gathering tactics, surreptitious news reporting, entertainment law, music law, entertainment litigation, music royalties, royalties copyrighted music, composer rights, songwriters rights, intellectual property law, intellectual property, intellectual property rights, copyright law, copyright infringement, trademark infringement, patent, trademark law, tradename, trade secrets, multimedia law, film/tv law, news media law, media litigation, media law, publishing law, television law, motion pictures law, theatre law, visual arts law, cable tv law, sports law, privacy, privacy law, invasion of privacy, defamation, libel, slander, Douglas Johnson, Super Lawyers Rising Star 2006, Neville Johnson, Trial Lawyer of the Year 2005, ASCAP, BMI, SESAC, Songwriters Guild of America, SGA, Nashville Songwriters Association International, NSAI, performance rights organizations, PRO, civil rights, civil rights litigation, employment discrimination, sexual harassment, First Amendment, First Amendment Attorney, Constitutional Law, jjllplaw.com, 06-12-08, 05-20-08, 04-07-08, 11-05-07, 09-21-07, 08-01-07, 08-21-08, 01-20-09
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2008 IP Lawyers
Summary of Entertainment Law for the USA |
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1. Introduction
The internet has caused massive financial havoc.[1]
IFPI, the international music industry trade
organization, estimates freely traded downloads outnumber paid tracks 20 to 1.[2]
2.
Contracts a.
Improper jury instruction: In Roger Rabbit creator’s breach of contract
action against Disney, the court of appeal held whether the term “purchaser” in the
contract assigning rights to novel’s characters to movie production company included the
production company’s subsidiaries was a judicial function, even though the parties
vigorously disputed the inferences to be drawn from extrinsic evidence of production
company’s predispute conduct, absent any dispute over the evidentiary facts themselves,
and therefore the trial court improperly permitted the jury to interpret the meaning of
“purchaser.”
Wolf v. Walt Disney Pictures and Television, 162 Cal.App.4th 1107, 76
Cal.Rptr.3d 585 (Cal.App. 2 Dist. 2008).[3] 3.
Trademark a.
eBay wins over Tiffany: eBay prevailed in
defending claims that it did not take enough steps to police fake Tiffany
jewelry sold on its website, with the court holding that brand owners are
ultimately responsible for protecting their own trademarks.
Tiffany (NJ) Inc. v. eBay, Inc., 2008 WL
2755787 (S.D.N.Y.). b.
Troubles with trademarking a name: Individual was permanently enjoined and
restricted from using his personal name to sell, market, or otherwise promote, goods,
products, and services to the consuming public because he had previously sold the rights
to his trademarked name. JA Apparel Corp. v. Abboud, 2008 WL 2329533
(S.D.N.Y.). 4.
Copyright a.
Copyright holder must get registration before infringement for statutory
damages and attorneys’ fees: An award of
statutory damages or attorneys’ fees for post-registration infringements (not within
three months after first publication of work) is not available under the Copyright Act
when the initial act of infringement occurred prior to effective copyright registration
date and there was no legally significant difference between pre-registration and
post-registration infringement. Derek Andrew, Inc. v. Poof Apparel Corp., 528 F.3d
696 (9th Cir. (Wash.) 2008). b.
When a co-owned copyright interest comes through an assignment from someone
who was themselves a co-owner, rather than arising as a result of joint authorship, that
person is not a co-owner but merely a
non-exclusive licensee with no standing to bring an infringement claim. Sybersound
Records, Inc. v. UAV Corp., 517 F.3d 1137 (9th Cir. (Cal.) 2008).[4] c.
Contributory infringement – Perfect 10: Copyright owner brought actions
against operator of Internet search engine and Internet retailer for, inter alia, infringement of copyrighted images. The court remanded the case for factual inquiries
into the claims that Google and Amazon.com were secondarily liable for infringement of
Perfect 10’s full-size images. Copyright
owner also brought action against credit card companies and several affiliated banks and
data processing services alleging secondary liability under federal copyright and
trademark law and liability under California statutory and common law for processing
credit card payments to Internet websites that infringed publisher's intellectual property
rights. The Ninth Circuit affirmed dismissal
of that case, holding that there was no material contribution to infringements or
vicarious infringements. Perfect 10, Inc. v. Amazon.com, Inc., 487 F.3d 701
(9th Cir. (Cal.) 2007); Perfect 10, Inc. v. Visa
Intern. Service Ass’n, 494 F.3d 788 (9th Cir. (Cal.) 2007).[5] d. Riviera
Distributors, Inc., et al. v. Jones, et al., 517
F.3d 926 5.
Talent Agencies Act a.
Personal managers may be able to keep money even though they violated the
Talent Agencies Act: Personal manager of an actress sued for his commission on her
earnings from a television show. After Labor Commissioner voided parties’ contract ab initio for manager’s procurement of
employment for actress without license under Talent Agencies Act, actress moved for
summary judgment. The Supreme Court of
California held that the Talent Agencies Act applied to the personal manager, that the
doctrine of severance applied to contracts partially illegal under the Act, and that a
fact issue remained whether contract was severable. Marathon
Entertainment, Inc. v. Blasi, 42 Cal.4th 974, 70 Cal.Rptr. 3d 727 (2008). This is the
most important legal decision in the history of talent-manager relations. For over four
decades, talent has sought to terminate contracts because managers offered, promised,
procured, or attempted to procure employment and did not have a talent agencies license.
The severity of the remedy is now looked at on a case by case basis, and monies derived
from that which was wrongfully procured can be “severed” allowing manager to still
collect his/her commission. b.
The role of the Labor Commissioner in Talent Agencies Act disputes gets
dealt a serious blow: Where an attorney who rendered services for personnel in motion
picture-television industry initiated arbitration proceeding against performer, seeking to
recover fees to which he claimed he was entitled under their contract, the California
Court of Appeal (145 Cal.App.4th 440, 51 Cal.Rptr.3d 628) affirmed the denial of
arbitration and grant of the performer’s motion to stay action pending proceedings
before Labor Commissioner. The United States
Supreme Court held that when parties agree to arbitrate all questions arising under
contract, Federal Arbitration Act (FAA) supersedes state laws lodging primary jurisdiction
in another forum, whether judicial or administrative. Preston v. Ferrer, -- U.S. --, 128 S.Ct. 978
(2008).[6] 6.
Guilds a. Plaintiff contended that he was improperly left out as a producer on the 2006 Academy Award winning best picture “Crash.” The court of appeal held that the right of fair procedure does not apply to the decisions that private organizations, such as the Academy of Motion Picture Arts and Sciences and Producers Guild of America, make about their own awards. Yari v. Producers Guild of America, Inc., 161 Cal.App.4th 172, 73 Cal.Rptr.3d 803 (Cal.App. 2 Dist. 2008). (Note, however, that the two entities above are not unions in the traditional sense, so traditional labor laws do not apply to them.) b.
Attorneys can be class counsel even if representing competing clients:
Non-union writers brought wage and labor law class action lawsuits against reality
television production companies and television networks. Defendants filed motion to
disqualify counsel based on a conflict of interest, alleging that law firm who represented
labor union was also counsel for the writers, that the union paid for writers’ attorney
fees and costs, and the union had conceived the litigation as part of its organizing
campaign, which many writers supported. The
Court of Appeal held that the named representatives and union each waived any conflict of
interest, that, as an issue of first impression, conflict of interest waivers were not
required from each and every member of putative class, and that the issue of whether named
writers could act as representatives of putative classes was premature. Sharp v. Next
Entertainment, Inc., 163 Cal.App.4th 410, 78 Cal.Rptr.3d 37 (Cal.App. 2 Dist. 2008). c.
Class actions allege that less than half of approximately $100 Million in
foreign levies collected for directors, writers, and actors has been paid out, going back
to 1991. Federal court remanded claims to
state court, finding that labor laws are not applicable and defendants can be sued for
common law claims. Webb v. Directors Guild of America; Richert et al. v.
Writers Guild of America west; Osmond v. Screen Actors Guild. 2007 WL 5022165 (Johnson & Johnson LLP is
counsel for plaintiffs; all cases are currently pending in Los Angeles Superior Court.) 7.
SLAPP a.
The SLAPP or anti-SLAPP statute is a special motion to strike created by
Civil Code of Procedure section 425.16. At its
core the statute was enacted “to provide a procedural remedy to dispose of lawsuits that
are brought to chill the valid exercise of constitutional rights.” Rusheen v.
Cohen, 37 Cal.4th 1048, 1055-1056, 39 Cal.Rptr.3d 516 (2006). Section 425.16 requires a two-step process for
determining whether an action is a SLAPP. Navellier v. Sletten, 29 Cal.4th 82, 88, 124
Cal.Rptr.2d 530 (2002). First, the defendant
must make a threshold showing that the challenged cause of action is one arising from
protected activity. Id. (citing
§425.16(b)(1)). “A defendant meets
this burden by demonstrating that the act underlying the plaintiff’s cause fits one of
the categories spelled out in section 425.16, subdivision (e).” Braun v.
Chronicle Publishing Co., 52 Cal.App.4th 1036, 1043, 61 Cal.Rptr.2d 58 (1997). If the court finds that such a showing has been
made, it must then determine whether the plaintiff has demonstrated a probability of
prevailing on the claim. Navellier v. Sletten, supra, 29 Cal.4th at 88 (citing §425.16(b)(1));
see generally Equilon Enterprises v. Consumer Cause,
Inc., (2002) 29 Cal.4th 53, 67, 124 Cal.Rptr.2d. Therefore,
the threshold issue of whether a case falls within the parameters of the SLAPP statute is
often litigated. b.
“‘[A]n issue of public interest’ within the meaning of section 425.16,
subdivision (e)(3) is any issue in which the public
is interested. In other words, the issue
need not be ‘significant’ to be protected by the anti-SLAPP statute--it is enough that
it is one in which the public takes an interest.” Nygard, Inc. v. Uusi-Kerttula, 159 Cal.App.4th
1027, 72 Cal.Rptr.3d 210, 220 (Cal.App. 2 Dist. 2008) (emphasis in original) (collecting
cases and analyzing statute).
i.
For
example, a website created by a patient brought related to her experience with her plastic
surgeon concerned a matter of public interest within the meaning of section 425.16, with
the court recognizing that there was no dispute that plastic surgery is a subject of
widespread public interest and discussion, citing a Google search, the popular television
series Extreme Makeover, and the “firestorm” of negative publicity and comment. Gilbert v.
Sykes, 147 Cal.App.4th 13, 53 Cal.Rptr.3d 752 (Cal.App. 3 Dist. 2007). c.
After obtaining pre-filing discovery order in Ohio to aid in effort to learn
identities of anonymous individuals who had posted statements about him on the Internet
that he believed were defamatory, plaintiff filed request for subpoenas in California
court. The posters filed a SLAPP motion, which
the court granted, and the plaintiff withdrew his request for subpoenas. The Court of Appeal held that a request for
subpoenas does not fall within section 425.16, and therefore the superior court erred in
granting the motion and in awarding attorneys’ fees.
Tendler v.
www.jewishsurvivors.blogspot.com, 2008 WL 2352497, 79 Cal.Rptr.3d 407 (Cal.App. 6
Dist. 2008). 8.
Miscellaneous a.
Court allowed estate to pursue intentional infliction of emotional distress
and civil rights claims where an assistant district attorney in Texas shot himself in his
home as he was about to be arrested by the police for attempting to solicit a minor
online. Waiting outside the house were members
of the cast and crew of the national television news show Dateline NBC, there to film
Conradt’s arrest for a segment of “To Catch A Predator.” Conradt v.
NBC Universal, Inc., 536 F.Supp.2d 380 (S.D.N.Y. 2008). b.
Prima facie showing required to subpoena identity of anonymous “internet
speaker”: A corporate president, who had
brought action in Florida for damages and injunctive relief against 10 fictitiously named
defendants for alleged defamatory statements posted on Internet sites under pseudonyms,
served subpoena on custodian of records of California internet service provider (ISP) to
ascertain identities of anonymous posters. One defendant moved to quash subpoena. The Court of Appeal held that for issuance of
subpoena, president was required to make prima facie showing of alleged tort, which he did
not do. Krinsky
v. Doe 6, 159 Cal.App.4th 1154, 72 Cal.Rptr.3d 231 (Cal.App. 6 Dist. 2008). c.
Professional model sued corporation after corporation used model’s image
on a coffee label without model’s consent and without remuneration. Following trial, the
jury awarded model $330,000 in damages and over 15 million dollars in profits. The court of appeal reversed and remanded, holding
that the model must provide some evidence that the corporation’s profits were
specifically attributable to the use of his identity or persona and that only then does
the burden shift to the corporation to show what percentage of its profits that are not
attributable to the use of the model’s persona. Christoff v. Nestle USA, Inc., 62 Cal.Rptr.3d
122, previously published at 152 Cal.App.4th 1439 (Cal.App. 2 Dist. 2007) (petition for
review granted, 169 P.3d 888, 67 Cal.Rptr.3d 468; however this is only on the issue of
whether the wrongful use need be knowing,” which the lower court found was not a
requirement).[7]
This is not the end of the tort (which is
common law and statutory, Civil Code section 3344) as emotional and punitive damages may
be available, but a “profits” analysis will be much more difficult for
non-celebrities. d.
Where the plaintiffs sued defendant,
an individual, for libel, alleging that she maliciously republished messages and postings
on the Internet after being warned that they were defamatory, the California Supreme Court
held that Internet service providers and users are immune by federal statute from
defamation liability for republication under the Communications Decency Act of 1996. Barrett v.
Rosenthal, 40 Cal.4th 33, 51 Cal.Rptr.3d 55 (2006); see 47 U.S.C., §230; accord Zeran v. America Online, 129 F.3d 327 (4th Cir.
1997). The internet has created huge privacy
and defamation issues. There is no immunity if
a chat room is moderated. A, if not the, most
important issue is whether the potential defendant can satisfy a judgment. e. Comedy
Club Inc. v. Improv West Associates, Comedy Club, Inc. v. Improv West Associates, 514 F.3d 833 (9th Cir.
(Cal.) 2007). Comedy Club allegedly breached
trademark licensing agreement by not opening a sufficient number of Improv clubs. A covenant not to compete in term (here until 2019)
by opening other comedy clubs was found to violate Cal. Bus. and Prof. Code section
16600, which provides “Except as provided in this chapter, every contract by which
anyone is restrained from engaging in a lawful profession, trade, or business of any kind
is to that extent void.” Such covenants are not necessarily invalid, but are
prohibited when they foreclose competition in a “substantial share of the affected line
of commerce.” [1] The entertainment industries are under siege by peer to peer sharing and the effects of such websites as YouTube and Myspace.com, advertising based models, which have transformed the entertainment industries as the “sea-change” is that the entertainment companies no longer control traditional channels of distribution. Viacom is suing Google/YouTube over its alleged failure to adequately monitor and take down clips which would otherwise infringe copyright. See Viacom Intern. Inc. v. Youtube, Inc., 540 F.Supp.2d 461 (S.D.N.Y. 2008); Viacom Intern. Inc. v. Youtube Inc., Slip Copy, 2008 WL 2627388 (S.D.N.Y. 2008). [2]
From 1997 to 2007, CD sales have gone from $13 Billion to $7.5 Billion. Record companies are struggling to find an economic
model that works, and the industry is in a freefall of sorts with thousands having lost
their jobs due to the economic downturn. “360 deals” are now the norm; the record
company takes a piece of recording, publishing, merchandising, and live revenues as
opposed to the previous model that was limited to recording monies. Because of the internet, it is now a “singles
business”. [3] The Allman Brothers are lead class action plaintiffs suing Sony over recording contract interpretation for the proper royalty rate to be paid on digital downloads of music, the argument being that the record companies by licensing to internet service providers, such as I-Tunes, should pay the traditional 50% of monies received rather than the much smaller percentage of the download price to the consumer. The case, one of contractual interpretation, is pending in the United States district court for the Southern District of New York, and the parties are awaiting the court’s decision (for over a year and a half!) on Sony’s motion to dismiss. Allman et al. v. Sony BMG Music Entertainment, S.D.N.Y. Case No. 06-3252. The band did not fare well in Allman v. UMG Recordings, 530 F.Supp.2d 602 (S.D.N.Y. 2008), where they sued their record company for breach of contract, claiming that the record company failed to pay royalties owed to them. Their claims were time-barred by the incontestability and limitations clauses in the recording contract. The band did not object in writing to any royalty statement within two years of its issuance and they did not bring an action in connection with any royalty accounting or payment within three years from the date of such statement. Finally, an equitable estoppel argument was rejected as the band argued it had been “lulled” into taking action because they were allowed to conduct a 20-month audit. The court ruled that the plaintiffs, instead of commencing a discretionary audit, should have first initiated a legal action. However, in practical terms, it does not make any sense to sue first and do the audit later. [4] And note Cambridge Literary Properties, Ltd v. W. Goebel Porzellanfabrik G.m.b.H. & Co. Kg., et al., 510 F.3d 77 (1st Cir. 2007). If a question of copyright co-ownership requires a determination of issues of original authorship or joint authorship, as opposed to merely determining contractual rights between co-owners, federal question jurisdiction applies over copyright co-ownership disputes. Hence, the Copyright Act’s statute of limitations applies, not the state’s, even when a plaintiff only seeks state law remedies, as the ownership issue “arises under the Copyright Act.” Even if a complaint does not expressly seek a declaration or an adjudication of co-ownership, federal jurisdiction is found, and the Copyright Act’s three-year statute of limitations applies. [5] And see Cartoon Network LP, LLLP v. CSC Holdings, Inc., --- F.3d ----, 2008 WL 2952614 (2d Cir. (N.Y.) Aug. 4, 2008). Owners of copyrighted programs brought action against cable television company seeking declaratory judgment as to whether company’s digital video recorder (DVR) system would violate their copyrights. Summary judgment for the copyright owners was reversed because the company’s embodiments of copyrighted programs were not “fixed,” as required to qualify as a “copy” under Copyright Act, that copies were “made” by cable company's customers, and therefore cable company was not directly liable under the Copyright Act, and that playback transmissions of copies were not performances “to the public,” and therefore did not infringe any exclusive right of performance under the Copyright Act. [6] This can be construed as another victory for managers in that the Labor Commissioner of California was viewed by some as being prejudiced against managers by taking a hard-line position as to remedies available for managers who were found to have booked employment, namely, that the contract was terminated and commissions had to be returned and/or were forfeited. [7] And see Calkins v. Playboy Enterprises International, Inc., et al., --- F.Supp.2d ----, 2008 WL 2095808 E.D.Cal., (May 15, 2008). Playboy’s use of a smaller, cropped version of a high school photograph of a Playmate taken by a portrait photographer, which he copyrighted, on Playmate’s bio page in its magazine was a fair use. Under a four factor analysis: (1) the use was commercial but “incidental and less exploitative in nature than more traditional types of commercial use” as the photograph did not directly promote sales of its magazine and there was no profit in its use; (2) the use was transformative because it had a different function --- not as a gift as when she was in high school, but to inform and entertain; (3) the amount and substantiality of the portion used did not weigh for or against a finding of fair use because only as much of the original work as necessary was used; and (4) the effect of Playboy’s use on the market for the plaintiff’s work --- the single most important element of fair use --- was not impacted as the photographer was not in the business of selling such photos. |
